Theme by nostrich.
Video reblogged from SHOULDN'T YOU BE WRITING? with 7 notes
Spencer Davis Group - “I’m A Man”
Steve Winwood wrote and recorded this when he was 16.
Something, something, teens, music, get off of my lawn.
Chat reblogged from lonelysandwich with 172 notes
Photo reblogged from Muscle Pain or Weakness
Maybe business card. Maybe not.
Jeff Dryer: Art Director/Bag of Weiners
Text reblogged from Here's To The Halcyon with 7 notes
Johnny Cash is one of the only artists I can think of whose posthumous releases make him seem even more alive. That sounds like a cliché, I know (“singing from beyond the grave,” etc.), but in the case of Cash, it’s just too true to not note. There are two key differences between his final recordings in the American Recordings series and most other posthumously released material: Rick Rubin (obvs) and the fact that Cash almost certainly knew these songs would not be heard by the public until after he was gone.
“Every morning, when he’d wake up, he would call the engineer and tell him if he was physically up to working that day,” Rubin said in a press release about the forthcoming album American VI: Ain’t No Grave. Later, Rubin reveals that doctors once lectured him during Cash’s busy final days, pleading: “He’s not going to stop, so you have to make sure he doesn’t work too much.”
In “Ain’t No Grave,” the title track and first single from Cash’s latest release, Rubin puts the “singing from beyond the grave” idea front and center, adorning lyrics such as “When I hear the trumpets sound / I’m gonna rise right out of the ground / Ain’t no grave can hold my body down” with a sample of percussive, rattling chains. Later on the track, Seth and Scott Avett contribute banjo and footsteps, à la “God’s Gonna Cut You Down.”
I could rant and rave about this—or any Johnny Cash—song all day, so you better head over to Lost Highway now to stream “Ain’t No Grave” thataway before I get going.
Haunting. Miss you JC.
Photo reblogged from daily design discoveries with 11 notes
photos of Hank Ketcham’s Complete Dennis the Menace 1959-1962 Box Set
(via fantagraphics)
I cannot wait for the day when I have disposable income again or can go on my used book hunts at Half Price Books and the like.
Photo reblogged from Don't Forget The Coffee with 7 notes
Listening to this album right now and loving it.
“Arthur (Or the Decline and Fall of the British Empire) extends the British-oriented themes of Village Green Preservation Society, telling the story of a London man’s decision to move to Australia during the aftermath of World War II. It’s a detailed and loving song cycle, capturing the minutiae of suburban life, the numbing effect of bureaucracy, and the horrors of war. On paper, Arthur sounds like a pretentious mess, but Ray Davies’ lyrics and insights have rarely been so graceful or deftly executed, and the music is remarkable. An edgier and harder-rocking affair than Village Green, Arthur is as multi-layered musically as it is lyrically. “Shangri-La” evolves from English folk to hard rock, “Drivin’” has a lazy grace, “Young and Innocent Days” is a lovely, wistful ballad, “Some Mother’s Son” is one of the most uncompromising antiwar songs ever recorded, while “Victoria” and “Arthur” rock with simple glee. The music makes the words cut deeper, and the songs never stray too far from the album’s subject, making Arthur one of the most effective concept albums in rock history, as well as one of the best and most influential British pop records of its era.”
-Stephen Thomas Erlewine (all music guide)
One of my top 10 desert albums. It’s just so damned listenable.
Photo reblogged from WE ARE THE DIGITAL KIDS. with 10 notes
I must own this.
(Or not. It’s $66 friggen dollars from some boutique store in the UK. I can have one made for cheaper than that. So in a sense, it’s ironic, that while the sentiment of the shirt is amazing, I’m not happy about the price.)
Link
If you like the sounds of modern Americana/Folk, download this podcast. It’s 60 minutes of aural awesomeness.
Langhorne Slim- Sweet Olive Tree ** Buffy Sainte-Marie- Helpless (Neil Young cover) ** Justin Townes Earle- Someday I’ll Be Forgiven For This ** Joe Pug- In The Meantime ** Lissie- Wedding Bells ** Leslie and the Badgers- Ballpark Lights ** Hi Ho Silver Oh- You Don’t Love Me Anymore ** Breathe Owl Breathe- Toboggan ** Deer Tick- Nebraska (Bruce Springsteen cover) ** Rocky Votolato- White Daisy Passing ** Dawes- Love Is All I Am ** The Moondoggies- Old Hound ** The Low Anthem- Charlie Darwin ** Phil Cook- Just Like Today
(via)
Photo reblogged from The Daily What with 2,050 notes
Animated GIF of the Day: Snowpocalypse time-lapse - the first 12 inches.
[b&p.]
Awesome sauce.
Video reblogged from designcircus
Bored with his ad agency gig and the uninspiring work he was producing, Ji Lee – now Creative Director of Google Creative Lab – decided to take matters into his own hands in 2002. The result was the ad-spoofing Bubble Project, in which Lee placed blank speech bubbles on ads around New York City. The masses responded and the project went viral, gaining Lee recognition and ultimately forwarding his professional career. Here, Lee talks about how he created, financed, and marketed the project single-handedly.
Video with 1 note
I might be the last person to have seen this OK Go video, This Too Shall Pass, but it’s pretty awesome
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